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Screen Printing: Types

Screen printing is a means of printing images by forcing printing ink or paste using a squeegee via a specifically prepared screen block to join up a print on the substrate for example fabric, paper, leather, T-shirt etc. It’s also called Serigraphy or Mitography. This printing strategy is broadly utilized by several artists and many printing houses for that execution of the projects because you can use it in printing on almost all surfaces for example papers, plastics, cloths, leather, glass, wood, rubber etc.

There’s two primary kinds of screens that can be used for screen printing. Temporal Screens continue for a shorter time of your time. They’re appropriate for registering single or limited prints on clothes and papers. They’re super easy to organize and doesn’t require lots of money or effort. Types of temporal screens are paper stencil screens and candle wax screens.

However, permanent Screens possess a lengthy time period and when correctly looked after, may last forever. They may be utilized in printing multiples, hundreds as well as a large number of prints. Their preparation in comparison to the temporal screens demands considerable effort and cash. Types of permanent screens include photo taking screens, lacquer screens and shellac screens.

There are numerous methods for developing screens for printing. A few of these happen to be detailed being debated below.

  1. Paper Stencil Screen Preparation- This paper stencil screen is much like the stencil preparation though it is really an extension from it. It calls for the change in the finished design to the paper for use, while eliminating the positive areas (the look to become printed) from the paper. The prepared stencil will be connected to the extended screen block using a masking tape. Enough allowances remain for everyone as ink reservoirs. The screen is prepared for printing.
  2. Candle Wax screen/Shellac Screen /Lacquer screen preparation- The preparatory processes during these ways of screen preparation are identical. The only real difference may be the materials in coating the negative regions of the screen which might be either molten wax, shellac or lacquer. The finished design is transferred to the extended screen block. Using a brush, use the molten wax or thinned shellac or lacquer to bar the negative regions of the look. Test screen for pinholes using a test print. Block pinholes should there be any. The prepared screen is prepared for printing. Lacquered screens are extremely durable and much more economical when it comes to quantity and quality. They’re excellent for straightforward, bold designs.
  3. Photo taking Screen Preparation- The photo taking screen preparation involves using light in developing or getting out designs to the screen. The causes of the sunshine could be natural or artificial. Therefore, there’s two primary methods for making photo taking screens thus using the solar power (sun) throughout the day and using the strong fluorescent bulbs within the exposing or shooting box. In most both of these ways, the screens need to be coated within the darkroom having a solution of photo emulsion combined with a sensitizer. The screen is positioned at nighttime room to dry.

Within the solar power method, the interior or hollow area of the coated screen is stuffed with a sack of proper sand on the flat wooden board and switched upside lower. The positive area of the paper (in which the designs are) is positioned around the frontal area of the screen and engrossed in a bit of cloth. The entire factor is uncovered towards the solar power (sun) for many couple of minutes. The duration relies upon the concentration of the sun’s rays. The screen will be removed and washed under flowing water. The look areas is going to be left open using the negative areas blocked.

In making use of the developing or shooting box at nighttime room, following the screen is coated using the photo emulsion and sensitizer solution, it’s left to dry. The look will be placed with face-up around the glass from the shooting box. The frontal area of the dried coated screen is positioned around the design using the inside or hollow part up. A sack full of mud or heavy clothes hinged with gemstones are put within the hollow area of the screen simply to ensure firm contact between your glass plate, the paper using the design and also the screen. The lights within the shooting box are started up for around 5 minutes. The duration could be pretty much with respect to the number and watts from the fluorescent bulbs within the shooting box. The screen is taken away and washed under flowing water. Later on, it’s dried and prepared for printing.

The next steps are adopted when printing with prepared screens.

  1. Prepare the printing table.
  2. Place Substrate (t-shirt, hanky etc.) around the printing table.
  3. Squeeze screen (hollow side up) around the substrate.
  4. Fetch little printing paste in to the non-image area (ink reservoir).
  5. Draw pull paste over the image part of the screen using the squeegee tilted in a reasonable position to join up a print.
  6. Review paper if much deeper print is needed.
  7. Lightly remove, wash and dry screen for future use.
  8. Allow print to dry and iron design to repair.

There are several important tips that needs to be noted when printing. They are:

-Correct keeping screens- The artist should seriously consider how he/she positions the screen around the substrate or material to become printed. If screens are wrongly put on the substrate it might lead to wrong registration of designs at designated regions of the substrate. Also, when the prints are repeated around the cloth inside a special pattern or arrangement, you will see gaps or disorderliness within the arrangement.

-Appropriate pressure around the squeegee- Pressure exerted around the squeegee ought to be moderate and well considered. It is because when the pressure exerted is less, some regions of the screen won’t be registered in publications. However, if more pressure than normal is exerted on screen, it can lead to the blurring of designs around the substrate. Which means that the printing ink or paste will extend past the limitations or edges from the design. Therefore, pressure exerted around the squeegee shouldn’t be too light neither if it is an excessive amount of.

-Instant washing of screens- The screens employed for printing ought to be washed soon after printing to prevent the blockage of screens. It’s because the truth that once the printing ink residue is permitted to remain on screen for sometime it stops being washed removed from the screen leading to its blockage. It’s appropriate then to clean the screen immediately after the printing with soapy or tepid to warm water and foam to get rid of all ink residues. However, it ought to be washed lightly otherwise it can lead to the development of pinholes that are small regions of the coated screen that are free of the coating solution or even the tearing or decrease in tension within the taut extended screen.

Developing printing screens by hand or robotically is the option of the artist in line with the sources at his disposal and also the time s/he needs to deliver. Each one of the screen development processes and it is printing procedure requires great persistence and determination in order to produce accurate duplication of designs.

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